
The pen will remain in Japan for some time yet, until the design of a new rose gold nib is complete.
The normal Chinkin technique of engraved line work into highly polished lacquer has always seemed too much of a visual contrast to me, so I opted for the subtler approach of line work into a unpolished Shu urushi body. The unpolished finish is akin to a 'satin' finish.
In a couple of months I will be starting talks with Nakaya for a fourth Piccolo, one with a completely custom design. I don't expect to see it until 2010, however, my tradition of at least one exquisite Nakaya a year is something which I love. I never mind waiting for pens like these. :)
Photo © Nakaya Corporation.