Showing posts with label Platinum. Show all posts
Showing posts with label Platinum. Show all posts

Tuesday, November 10, 2009

Bad Laurel, No Biscuit

So, I really hate admitting things like this, but confession is good for the soul or something, right? :P

Well, on the weekend I opened up one of the cases I use to store Japanese pens in, and selected two Platinums which I was planning to ink up for the week ahead. The pens in question can be seen in the above image, (4th and 5th from left). These are pens from the early 1970s, when Platinum was designing some extremely interesting and beautiful writing instruments. They were released in the same year and share a very similar design – flattop, tapered barrel, seldom-seen ball clip, and a cap band decorated with neat little squares. The nib units are identical, and each has a large Fine 18K white gold nib. One pen has a quiet and utilitarian stainless steel body with acid-etched black squares, while the other is flashy solid sterling silver with red urushi-filled squares.

As I picked up the stainless steel pen, I suddenly remembered that this pen had not been cleaned and emptied; I had put it in the box to photograph it, and then not taken it back out. By now, I had a vague sense of impending doom. I picked up the second pen, which I had been using around the same time as the other one, and with a sigh, I realised that this one wouldn’t have been cleaned either. Crap.

I headed off to the bathroom sink, and pulled the cap off the stainless steel pen (maybe it was my imagination, but it did seem harder to remove that cap with the images of a sticky and gross grip section in my head.) But no, there was no ink-soaked section, but there was a gross ink-covered nib, and a suspiciously ink-encrusted trim ring. The feeling of doom intensified. I looked at the semi-dry ink on the trim ring a little closer, and immediately noticed two things:
  1. The stuff looked like iron rust.
  2. The stuff smelled like iron rust.
NOOOOOOO!

Amidst a small panic and some swearing, I broke out a baby’s toothbrush and some ammonia. Soon I was gently scrubbing the nib, and blue-grey ink was coming out, but the rusty stuff on the trim ring wasn't moving (see the trim ring here). A half hour later, blue-colored water was still coming out of the nib, and the rust (it was definitely rust) was still there. Meanwhile, the nib unit of the sterling silver pen had cleaned free of its ink (poss. Sailor Red Brown) very easily, so I dried it off and put it away. I was feeling a little bit sick over the nib unit of the stainless steel pen at this point. It was such a nice pen! I scrubbed at it some more, but blue was still leaching everywhere and I could still clearly smell rust, so I ended up soaking the unit overnight.

The next morning I flushed the last of the blue out (finally), and then dried the nib off and sat down and looked at it. The rust around the trim ring was still there, but some of it had stained the tissue I was drying the nib off with, so I kind of rubbed at it a bit more, and surprisingly, more rust appeared on the tissue. I scratched at the rust with my fingernail. It was slightly stubborn, but soon shifted to reveal shiny *stainless* steel underneath. Aha! I suddenly realised what it was – ferrogallic (iron gall) ink!

I examined the trim ring with a 20x loupe, and could see no pitting / damage. Now, I have had flash corrosion damage on a nib unit in the past, but it occurred with R&K’s Scabiosa, which is a strong ferrogallic ink (indeed, the corrosion occurred within two weeks.) The ink which my stainless steel Platinum pen had been inked with was 15+ year-old Platinum Blue-Black, and (to my shame), the pen must have been sitting in the case for well over six months.

Evidently, Platinum’s Blue-Black ink must have once been made from a weak iron gall base; much like LAMY Blue-Black is made today. I say, "been made" instead of "is made", because I have current stocks of Platinum Blue-Black and while the attractive ferrogallic characteristic of the ink colour dramatically fading when drying still does occur, I believe it does so to a lesser extent than the old ink.

While I was lucky, and I learned something new, I’m not in a hurry to have a repeat performance, I think I’ll be extra disciplined about cleaning my pens in future. ;)

PS: I know pictures of the nib would have made this post more interesting, but I had other things on my mind at the time!

Sunday, January 13, 2008

Waterproof Inks

I am very pleased to report that the waterproof black inks I recently purchased have given me no trouble at all in my fountain pens! When I use watercolour paints or water-soluble pencils on sketches drawn with these inks, no black ink is released by the water and brush.

Pilot Security Black is marginally darker than Platinum Carbon Black - although this is only apparent when the inks are carefully compared side by side. I'm using Security ink in a regular DPP-100 Pilot Desk Pen, and the Carbon ink in a Platinum Carbon Pen. Sometimes the Pilot won't start on the first stroke, but that's the only thing I've noticed. Neither ink appears to settle or do anything unwanted inside the pen.

Ujuku were out of Sailor Kiwagura stock, so I should get that ink in a couple of weeks, but so far I'm thrilled - these inks have worked out perfectly!

Wednesday, September 26, 2007

Pens Arrived

My Aurora Fuoco Mini arrived today, and it's GORGEOUS! Here it is posing with some Mini siblings:
In addition, I have also received my Pelikan M400 Tortoise & Dark Brown, as well as my Pelikan M450 Tortoise & Vermeil!
And last but certainly not least, a beautiful 1976 Platinum pen made from solid Silver with Silver/Vermeil relief - the workmanship is beautiful, and this is quite a special pen.
I'm a lucky girl. :)

Sunday, July 22, 2007

Incoming Pens!

It's been awhile since my last posting, so today's entry will be a large one - I have lots of nice pen news to share. :)

Last month I acquired some unusual Japanese pens, and while I promised some photos, I didn't get around to posting any. However, they are here now!

Platinum 'Zogan' (1970's)
Initially, I didn't know what to make of this pen, as it was much larger than I had anticipated it would be. I pondered it for a couple of hours, and debated whether it should remain in my collection or not. Eventually, I decided I did like the 'Zogan' and upon inking it with R&K Sepia, I found I liked it even more.

Pilot Etched Floral (1970's)
I saw a couple of these pens sell on eBay earlier this year, but they sold for more than I was prepared to pay (and more than they were worth). Stan had one for sale recently, and I managed to snag my first colour choice at a great price. This is a gorgeous pen, and the photo doesn't do it justice. The metallic enamel inside the deep etching changes under different lighting conditions - really pretty.

Pilot-Namiki Black Red Celluloid (1930's)
I was really pleased to acquire this pen as a NOS item with its box, papers, barrel label etc. It is in great condition, and the dark celluloid and black urushi jewels make a very nice contrast with the nickel trim.

Well Black Urushi Eyedropper (1930's)
Another nice one! The black urushi coating on this pen is perfect, and quite thick. The urushi-clad clip is most sexy, in my opinion. The nib is a nice one, with a cut-out on either side to increase flexibility. I have a Nakaya with an Elastic nib which features similar cut-outs. It's nice to have an early example of such a nib, as well as a modern one.

* * *

In other news, I have several exciting new pens winging their way to me as I type! July has been another good month for interesting pens. A brief summary:
  • Platinum PKH-2500. I have one of these cute short-long pens already, as shown here. My current short has a Clover motif, the new short has a Maple Leaf motif.

  • Platinum Ivory Celluloid. I’m looking forward to this one. A 1950's Platinum 10 Year model in a lever-fill configuration.

  • Well Eyedropper. Yep, another Well... but not quite as old as the first one. This one has a very interesting nib also - instead of a traditional round or heart-shaped vent hole, this Well has the letter W instead. Nifty!

  • Yotsubishi Eyedropper. My first Yotsubishi, and hopefully not my last. What makes this 1950's example nice is that it has been finished with a Red Urushi coating.
Lastly, I have my eye on a couple of brand new modern pens. The first is a delicious new Aurora, the Fuoco Minima. I think this Aurora series is based on natural elements, as the Fuoco features a flame motif, just as the Sole Aurea Minima features a sun motif. The colour is beautiful!

The other modern pen I am considering is a Danitrio maki-e pen. I've not yet decided exactly what to purchase though... decisions, decisions!

Sunday, June 24, 2007

More Japanese Pens + Fascinating Facts!

This week, I was very pleased to add a few more nifty Japanese pens to my collection. Here's a summary - I will add some nicer photos when they arrive:

  • Platinum 'Zogan'. This is a 1970's Platinum with interesting Lamy 2000-esque styling. The cap band has a floral motif in the decorative zogan technique, which is the inlaying of gold into a surface. Platinum revisited the 'Zogan' in the 1990's, this time styling the pen on their classic #3776 model.
    I dislike using other peoples images, but for now here is the 'Zogan':
    The top image is from Stan Klemanowicz, and shows the 1970's model. The bottom image is from the Internet, and shows the 1990's model.

  • Pilot Etched Floral. This is a 1970's stainless steel Pilot with gold trim and deep floral sprigs etched into the body. The etchings are filled with a green-gold reflective lacquer. Pretty!

  • Pilot 'L'. Someone on eBay advertises these under the name of "Lex" or the more ridiculous "Mysterious Reflections". The other name for this model is simply the "Lady" - however, while browsing Yahoo! Japan one day, I found one of these pens marked "Laureat":
    My "L" fountain pen is on the left, the Yahoo "L" ballpoint pen is on the right. I wonder what Waterman thought of Pilot using the name Laureat?! Ah, the oddities of the pen world...

  • Pilot-Namiki Celluloid. This is a nice, red-black mottled celluloid lever filler which is stickered, and has the original box and instructions. I was especially pleased to find this pen, as it is a prewar model bearing a "N" (Namiki) logo on the barrel. In 1938 the logo letter changed from "N" to "P" for Pilot, so I would put my pen as being from 1936/1937. The pen has a steel 'Shiro' nib.
    Pilot fountain pens from the 1930's to 1960's had a couple of different barrel stamps, as shown below:
    The first two lines of text are the standard imprint - sometimes model names or patent info is present, but that's the basic text. The central round 'lifebuoy' is depicted as one of the above three logos, of which the dates concerning the later two are approximate.

  • Well Eyedropper. The Well Fountain Pen Company was founded in the 1920's and was a popular prewar manufacturer. However, after the war, the company had a short lifespan and eventually closed in the 1950's. The pen I bought is an Ebonite (hard rubber) eyedropper, coated with black Urushi lacquer - even the clip is lacquered black! This pen also has a steel 'Shiro' nib.

I'll have these pens in a week or two, so look out for some photos then - this is an interesting group! :)

Tuesday, May 22, 2007

May Collection Updates

I've been somewhat slack about posting of late, so let us see what updates we have for May...

INK - I can't believe I didn't post about my new inks. I recently ordered Noodler's Nightshade, Private Reserve Gray Flannel, Rohrer & Klingner Sepia and Rohrer & Klingner Smaragdgrün from The Inked Nib, with wonderful service from Natalie as per usual.

  • Noodler's Nightshade: This is a dark red-violet, almost like a mixture of Noodler's Red Black and J. Herbin Moondust. Moderate shading, very well behaved. (Thank you to Gary for getting me interested in this ink. :)

  • Private Reserve Gray Flannel: This is a medium gray, quite neutral, with perhaps a hint of a green undertone. Moderate shading, very well behaved, perfect flow.

  • R&K Sepia: I recently finished a half-bottle of this ink which I traded for last year, so when I ordered a fresh bottle, I wondered if the colour would differ at all. I was glad to find that it didn't, because this ink is the closest replacement for Parker Penman Mocha that I have found. It's very slightly lighter than Mocha, but the colour is so close... that completely neutral, true brown with no red, orange or yellow undertones. Lovely! Rather strong shading, no feathering, quite free-flowing.

  • R&K Smaragdgrün (Viridian Green): Initially, this was an odd colour for me to buy, but my collection was lacking a pure blue-green (not to be confused with green-blue / turquoise). This ink colour has grown on me, and is very reminiscent of Sheaffer Emerald, though the colour is slightly deeper and more intense - a great ink. Moderate shading, very well behaved, perfect flow.

NIBS - I completed a more comprehensive review of my Richard Binder Needlepoint nibs! I uploaded several pages of writing samples on different papers, as well as some close-up shots of those beautiful nibs. Read on... XXXF and XXXXF Round and Italic Points.

PENS - I picked up two more Japanese fountain pens last week, both Platinum brand, and both 1970's Sterling Silver models. The first is a Riviere model with small inlaid red accents on the cap, while the second model is unknown, with red urushi accents on the cap. Both are high-quality pens, and from what I can gather, they were originally sold in the ~15,000 ¥en range.

The Platinums should arrive next week, and I will definitely be photographing them and preparing a write-up. Not much product information for older Platinum models exists out there on the WWW, so unfortunately I will be limited to discussing the design and showing off pretty pictures! :)

Sunday, April 29, 2007

Long Time, No Pens...

...well, not really. Some very nice pens arrived in April, and it looks like May will bring more of the same.

The above image shows a few nice Japanese pens I acquired last month. From the top:

  • Platinum. White enamel with clover motif. 18K Fine.
  • Platinum. Pale gold arabesque motif. C/C. 18K Fine.
  • Platinum. Stainless steel. C/C. 18K White Fine.
  • Pilot. Black with stainless cap. Lever. 'Hardgilt' Steel Flexible Fine.
Also, I received an Aurora 14K EF nib which had been reground to an XF Stub.